Alternative Shakespeares

Fülszöveg

NEW ACCENTS General Editor Terence Hawkes
Building firmly upon the debate initiated in earlier New Accents volumes, the essays in this collection engage directly with the most consistenti, myth-ologized' figure in the established canon of English literature, Shakespeare, and with the dominant forms of liberal humanist criticism through which the myth has been mediated and sustained. Traditional modes of Shakespeare criticism have consistently privileged structural harmony, aesthetic coherence, the study of individual 'characters', and the 'poetry' of the plays. Drawing on new work in the semiotics of drama, post-structuralism, psychoanalysis, feminism and marxism, these essays radically challenge many of the conceptual assumptions upon which such forms of criticism rest. They argue variously for a necessary reading of the semiotic codes inscribed in the texts; for analyses of the ways in which such texts produce meanings; for consideration of the ways in which they construct... Tovább

Fülszöveg

NEW ACCENTS General Editor Terence Hawkes
Building firmly upon the debate initiated in earlier New Accents volumes, the essays in this collection engage directly with the most consistenti, myth-ologized' figure in the established canon of English literature, Shakespeare, and with the dominant forms of liberal humanist criticism through which the myth has been mediated and sustained. Traditional modes of Shakespeare criticism have consistently privileged structural harmony, aesthetic coherence, the study of individual 'characters', and the 'poetry' of the plays. Drawing on new work in the semiotics of drama, post-structuralism, psychoanalysis, feminism and marxism, these essays radically challenge many of the conceptual assumptions upon which such forms of criticism rest. They argue variously for a necessary reading of the semiotic codes inscribed in the texts; for analyses of the ways in which such texts produce meanings; for consideration of the ways in which they construct human subjectivity; and for close scrutiny of the manner in which historically specific contradictions are negotiated through the articulation of specific aesthetic preferences. Their shared conviction is that there is no unified subject 'Shakespeare', but a series of alternative 'Shakespeares' each of which is defined oppositionally, and each of which it must be the business of criticism to contest in the face of opposed perspectives.
John Drakakis is a Lecturer in English Studies, University of Stirling.
Other titles in the New Accents series include:
PSYCHOANALYTIC CRITICISM Theory in Practice Elizabeth Wright
THE SEMIOTICS OF THEATRE AND DRAMA Keir Elam
SEXUAL/TEXTUAL POLITICS Feminist Literary Theory Toril Moi
Cover design: Phil Barker Vissza