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Ars Nova and the Renaissance

1300-1540

Ars Nova and the Renaissance
Ars Nova and the Renaissance Ars Nova and the Renaissance Ars Nova and the Renaissance
Szerkesztő
Dom Anselm Hughes
Gerald Abraham
New York-Oxford
'Dom Anselm Hughes: Ars Nova and the Renaissance ' összes példány
Kiadó: Oxford University Press
Kiadás helye: New York-Oxford
Kiadás éve:
Kötés típusa: Vászon
Oldalszám: 565 oldal
Sorozatcím: The New Oxford History of Music
Kötetszám: 3
Nyelv: Angol  
Méret: 25 cm x 16 cm
ISBN: 0-19-316303-9
Megjegyzés: Kottarészletekkel.
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Fülszöveg


The New Oxford History of Music has been planned as a complete survey of music from the earliest times down to the present day, including not only the achievements of the Western world but also the contributions made by Eastern civilizations and primitive societies. The whole work will be completed in eleven volumes, details of which are given on the back of this jacket.
The subject matter in Volume Three stretches from the introduction of the Ars Nova at the beginning of the fourteenth century to the full flood of renaissance music in the mid-sixteenth century. For the first time there emerge named composers with an undisputed corpus of surviving works: Machaut, Landini, Dunstable, Dufay, Ockeghem, Josquin, and many others of lesser fame. Polyphony grows steadily more mature and organic, and keyboard music begins to appear in recognizably distinct forms. Many of the works composed during this period are still regularly performed, and apart from its value to specialists the... Tovább

Fülszöveg


The New Oxford History of Music has been planned as a complete survey of music from the earliest times down to the present day, including not only the achievements of the Western world but also the contributions made by Eastern civilizations and primitive societies. The whole work will be completed in eleven volumes, details of which are given on the back of this jacket.
The subject matter in Volume Three stretches from the introduction of the Ars Nova at the beginning of the fourteenth century to the full flood of renaissance music in the mid-sixteenth century. For the first time there emerge named composers with an undisputed corpus of surviving works: Machaut, Landini, Dunstable, Dufay, Ockeghem, Josquin, and many others of lesser fame. Polyphony grows steadily more mature and organic, and keyboard music begins to appear in recognizably distinct forms. Many of the works composed during this period are still regularly performed, and apart from its value to specialists the volume should provide interesting and illuminating reading for all who take pleasure in the music of an age remarkable not only for promise but also for achievement. Vissza

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