Roland Oudot

Fülszöveg

The Q.L.P. Art Series
OUDOT
by Daniel Vouga
Director of the Museum of Art Neuchateli Switzerland
At first glance nothing may appear simpler than a painting by Roland Oudot, but such lucidity and composure are not lightly come by. These qualities are not the result of gifts which the contemporary French painter has only to summon when and as he will. He has acquired his restraint by deliberately bringing together opposing forces and reconciling them, in order to make a convincing and consistent whole. In his art there is a wide, deep vein of Baroque nonconformity. A single Oudot still life may combine eflfectively in a romantic dream-world a landscape, a mandolin, human and plant forms. There is a poetic, idyllic mood in many of his portraits. And in his work one may also discern a classicism which seeks to eliminate the extraneously picturesque and to simplify the effects of light. For Oudot each painting is a challenge and his particular strength lies in the tension which... Tovább

Fülszöveg

The Q.L.P. Art Series
OUDOT
by Daniel Vouga
Director of the Museum of Art Neuchateli Switzerland
At first glance nothing may appear simpler than a painting by Roland Oudot, but such lucidity and composure are not lightly come by. These qualities are not the result of gifts which the contemporary French painter has only to summon when and as he will. He has acquired his restraint by deliberately bringing together opposing forces and reconciling them, in order to make a convincing and consistent whole. In his art there is a wide, deep vein of Baroque nonconformity. A single Oudot still life may combine eflfectively in a romantic dream-world a landscape, a mandolin, human and plant forms. There is a poetic, idyllic mood in many of his portraits. And in his work one may also discern a classicism which seeks to eliminate the extraneously picturesque and to simplify the effects of light. For Oudot each painting is a challenge and his particular strength lies in the tension which exists between the conflicting elements which make up his own complex nature and also figure in his work. Bom in Paris in 1897, he studied and taught at the École des Arts Décoratifs. He has exhibited in Paris, Lausanne, Venice and elsewhere. He is a first prize winner of the Venice Biennale.
53 plates in full colour 20 drawings, in sanguine, sepia and India ink
Picture on the Front Cover:
Hope, 1941-1948 (Detail)
Oil, 57/j" X 45/2" Private Collection, Paris
Picture on the Back Cover:
Venice, River of Beggars, 1961 Oil, 32" X 43" Collection of Mme Roland Oudot, Paris Vissza