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New English Dramatists 11.
Happy Family/A Night to Make the Angels Weep/Fill the Stage with Happy Hours
| Kiadó: | Penguin Books |
|---|---|
| Kiadás helye: | Harmondsworth |
| Kiadás éve: | |
| Kötés típusa: | Ragasztott papírkötés |
| Oldalszám: | 238 oldal |
| Sorozatcím: | Penguin Plays |
| Kötetszám: | PL71 |
| Nyelv: | Angol |
| Méret: | 18 cm x 11 cm |
| ISBN: | |
Értesítőt kérek a kiadóról
Értesítőt kérek a sorozatról
A beállítást mentettük,
naponta értesítjük a beérkező friss
kiadványokról
naponta értesítjük a beérkező friss
kiadványokról
A beállítást mentettük,
naponta értesítjük a beérkező friss
kiadványokról
naponta értesítjük a beérkező friss
kiadványokról
Fülszöveg
These three plays, which are the work of more recent dramatists, were all produced for the first time outside the West End. Giles Cooper's last play, Happy Family, was first put on at Hampstead Theatre Club: of the four characters three have failed to grow up and are unable to face aduit reality. In A Night to Make the Ange/s Weep Peter Terson, the resident dramatist at the Victoria Theatre, Stoke-on-Trent, is alsó concerned with the nature of reality: his characters, inhabitants of a Midlands village, live both as they believe themselves to be and as they dream of becoming. Charles Wood's Fill the Stage with Happy Hours, which had its first night at Nottingham Playhouse, is set backstage. Though critical of the old-style theatre people he portrays, the author cannot disguise a certain admiration for them. For copyright reasons this edition is not for sale in the U.S.A. or Canada Authors' photographs from left to right: Cooper, Terson (Victoria Theatre, Stoke-on-Trent), Wood (Derek... TovábbFülszöveg
These three plays, which are the work of more recent dramatists, were all produced for the first time outside the West End. Giles Cooper's last play, Happy Family, was first put on at Hampstead Theatre Club: of the four characters three have failed to grow up and are unable to face aduit reality. In A Night to Make the Ange/s Weep Peter Terson, the resident dramatist at the Victoria Theatre, Stoke-on-Trent, is alsó concerned with the nature of reality: his characters, inhabitants of a Midlands village, live both as they believe themselves to be and as they dream of becoming. Charles Wood's Fill the Stage with Happy Hours, which had its first night at Nottingham Playhouse, is set backstage. Though critical of the old-style theatre people he portrays, the author cannot disguise a certain admiration for them. For copyright reasons this edition is not for sale in the U.S.A. or Canada Authors' photographs from left to right: Cooper, Terson (Victoria Theatre, Stoke-on-Trent), Wood (Derek Balmer) Vissza
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