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Green Girl Kate Zambreno Fiction $16.00
Zambreno's Ruth is literature's lost girl, the ambivalent offspring of Lispector's Macabea, Rhys' Sasha Jensen, and Plath's Esther Greenwood. A pretty, dazed American ingenue wandering the wet streets of London in search of the best litde black dress, the perfect pink rouge, to make her complete. And what exacdy makes Ruth so incomplete? It's the void behind her painted face, the hollow center that draws us into our green girl, our "question mark, a mystery even to herself" For what Zambreno does ingeniously, ruthlessly, is implicate Ruth's impenetrable vacancy as our own. A harrowing, brilliant book.
KATE DURBIN
Green Girl is The Bell Jar for today—an existential novel about Ruth, a young American in London, kin to Jean Seberg gamines and contemporary celebutantes. Ruth works a string of meaningless jobs: perfume spritzer at a department store she calls Horrids, clothes-folder, and a shopgirl at a sex shop. Ruth is looked at...
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Fülszöveg
Green Girl Kate Zambreno Fiction $16.00
Zambreno's Ruth is literature's lost girl, the ambivalent offspring of Lispector's Macabea, Rhys' Sasha Jensen, and Plath's Esther Greenwood. A pretty, dazed American ingenue wandering the wet streets of London in search of the best litde black dress, the perfect pink rouge, to make her complete. And what exacdy makes Ruth so incomplete? It's the void behind her painted face, the hollow center that draws us into our green girl, our "question mark, a mystery even to herself" For what Zambreno does ingeniously, ruthlessly, is implicate Ruth's impenetrable vacancy as our own. A harrowing, brilliant book.
KATE DURBIN
Green Girl is The Bell Jar for today—an existential novel about Ruth, a young American in London, kin to Jean Seberg gamines and contemporary celebutantes. Ruth works a string of meaningless jobs: perfume spritzer at a department store she calls Horrids, clothes-folder, and a shopgirl at a sex shop. Ruth is looked at constandy—something she craves and abhors. She is followed by a mysterious narrator, the voice equally violent and maternal. Ruth and her toxic friend, Agnes, are obsessed with cosmetics and fashion and film, with boys, with themselves, and with each other. Green Girl is about that important and frightening and exhilarating period of being adrift and screwing up, a time when drunken hook-ups and infatuations, nervous breakdowns, and ecstatic epiphanies are the order of the day.
Not since Faulkner first arrested my heart and stole my breath in The Sound and the Fury have I been as ravaged by the language of a novel as in Kate Zambreno's Green Girl. There is a poetics of desire shivering in the skin of every line. There is a momentous psychosexual arrival in her deformations of diction and syntax—as if language itself were intimate with the body of a girl.
LIDIAYUKNAVITCH
Kate Zambreno is also the author of the novel O Fallen Angel (Chiasmus Press). A book of essays centering around the women of modernism, Heroines, will be published by Scmiotcxt(c)'s Active Agents series in Fall 2012.
$16.00
ISBN 978-0-9830226-3-3
978098302263351600
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