Leaving the Sea

Fülszöveg

Advance praise for
LEAVING THE SEA
"Ben Marcus is one of my favorite writers on the planet, and I am in awe of his latest collection. Marcus's fiction is unrivaled in its strangeness, beauty, and transformative power. A Marcus story is clinically proven to quadruple the vision of your inner eye, enlarge your heart ten sizes, and give you lucid dreams. In Leaving the Sea, Ben Meircus has collected fifteen wise, extraordinarily moving, funny, and frightening tales. They spelunk into deep cave systems of love and treachery, dynamite new horizons of storytelling possibility. Nobody has the stylistic and imaginative range of Marcus. Anyone fortunate enough to read Leaving the Sea will feel as though she is making a leap into uncharted zones of insight and emotion."
—karen russell
"Mind-bending . . . Boundary-pushing Fifteen tales of modern anxiety that display Marcus's range . . . Marcus has mastered a bitterly comic tone and a level of psychological insight that make the... Tovább

Fülszöveg

Advance praise for
LEAVING THE SEA
"Ben Marcus is one of my favorite writers on the planet, and I am in awe of his latest collection. Marcus's fiction is unrivaled in its strangeness, beauty, and transformative power. A Marcus story is clinically proven to quadruple the vision of your inner eye, enlarge your heart ten sizes, and give you lucid dreams. In Leaving the Sea, Ben Meircus has collected fifteen wise, extraordinarily moving, funny, and frightening tales. They spelunk into deep cave systems of love and treachery, dynamite new horizons of storytelling possibility. Nobody has the stylistic and imaginative range of Marcus. Anyone fortunate enough to read Leaving the Sea will feel as though she is making a leap into uncharted zones of insight and emotion."
—karen russell
"Mind-bending . . . Boundary-pushing Fifteen tales of modern anxiety that display Marcus's range . . . Marcus has mastered a bitterly comic tone and a level of psychological insight that make the characters more than repositories of middle-age rage At once smart, claustrophobic, and comic."
—KIRKUS REVIEWS
"Exhilarating A peculiar, fimny, original analysis of the human psyche and modern language . . . A very strong collection."
—PUBLISHERS WEEKLY
Praise for
THE FLAME ALPHABET
"Echoes of Ballard's insanely sane narrators, echoes of Kafka's terrible gift for metaphor, echoes of David Lynch, Willicim Burroughs, Robert Walser, Bruno Schulz, and Mary Shelley: a world of echoes and re-echoes—1 mean
our world—out of which the sanely insane genius of Ben Meircus somehow manages to wrest something new and unheard of. And yet as I read The Flame Alphabet, late into the night, feverishly turning the pages, I felt myself, increasingly, in the presence of the classic."
—michael chabon
ISBN 978-0-307-37938-2 Fiction
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978030737938252595

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From one of the most innovative and vital writers of his generation, an extraordinary collection of stories that showcases his gifts—and his range-
as never before.
In the hilarious, lacerating "I Can Say Many Nice Things," a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian "Rollingwood," a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In "Watching Mysteries with My Mother," a son meditates on his mother's mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator's marriage and his sanity urrravel, drawing him to the brink of suicide.
As the collection progresses, we move from more traditional narratives into the experimental work that has made Ben Marcus a groundbreaking master of the short form. In these otherworldly landscapes, characters resort to extreme survival strategies to navigate the terrors of adulthood, one opting to live in a hghtless cave and another methodically setting out to recover total childhood innocence; an automaton discovers love and has to reinvent language to accommodate it; filial loyalty is seen as a dangerous weakness that must be drilled away; and the distance from a cubicle to the office coffee cart is refigured as an existential wasteland, requiring heroic effort.
In these piercing, brilliantly observed investigations into human vulnerability and failure, it is often the most absurd and alien predicaments that capture the deepest truths. Surreal and tender, terrifying and life-affirming. Leaving the Sea is the work of an utterly unique writer at the height of his powers. Vissza