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Love Is Colder Than Death

The Life and Work of Rainer Werner Fassbinder

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Kiadó: Grafton Books
Kiadás helye: London
Kiadás éve:
Kötés típusa: Ragasztott papírkötés
Oldalszám: 245 oldal
Sorozatcím: Paladin
Kötetszám:
Nyelv: Angol  
Méret: 20 cm x 13 cm
ISBN: 0-586-08792-3
Megjegyzés: Fekete-fehér fotókkal illusztrálva.
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Fülszöveg


PALADIN LOVE IS COLDER THAN DEATH When Rainer Werner Fassbinder died at the age of thirty-seven, his body bloated and poisoned by years of drug abuse, the award-winning director of The Marriage of Maria Braun was at the height of his fame and artistic reputation. Fassbinder's prodigious cinematic output is legendary. Over a period of thirteen years, he made, on average, a film every hundred days. His in tense discipline and phenomenal creative energy when working were in violent contrast with the excesses of abasement and tortured relationships of his personal life with the people he drew around him in a surrogate family. Róbert Katz knew Fassbinder, had worked with him, interviewed him in the months before his death, and spent three years researching his life and talking extensively to 'Fassbinder people'. The result is a fascinating and revealing study of the man the New York Times dubbed 'the Messiah of the New Germán cinema', a man who turnéd the hell he inhabited in the real... Tovább

Fülszöveg


PALADIN LOVE IS COLDER THAN DEATH When Rainer Werner Fassbinder died at the age of thirty-seven, his body bloated and poisoned by years of drug abuse, the award-winning director of The Marriage of Maria Braun was at the height of his fame and artistic reputation. Fassbinder's prodigious cinematic output is legendary. Over a period of thirteen years, he made, on average, a film every hundred days. His in tense discipline and phenomenal creative energy when working were in violent contrast with the excesses of abasement and tortured relationships of his personal life with the people he drew around him in a surrogate family. Róbert Katz knew Fassbinder, had worked with him, interviewed him in the months before his death, and spent three years researching his life and talking extensively to 'Fassbinder people'. The result is a fascinating and revealing study of the man the New York Times dubbed 'the Messiah of the New Germán cinema', a man who turnéd the hell he inhabited in the real world into somé of the most powerful images in post-war cinema. 'A sort of a whirlwind of a book, matching perhaps in speed and compulsive fascination the rhythm of a life that produced forty-three films' LITERARY REVIEW 'Compulsively readable' SUNDAY TELEGRAPH 'Virtually unputdownable' FINANCIAL TIMES Vissza

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