The Elements of Journalism

Fülszöveg

In July 1997, rwenty-five of America's most influential journalists sat down to try and discover
what had happened to their profession in the years between Watergate and Whitewater. What they knew was that the public no longer trusted the press as it once had. They were keenly aware of the pressures that advertisers and new technologies were putting on newsrooms around the country. But, more than anything, they were aware that readers, listeners, and viewers—the people who use the news—were turning away from it in droves.
There were many reasons for the public's growing lack of trust. On television, there were the ads that looked like news shows and programs that presented gossip and press releases as if they were news. There were the "docudramas," television movies that were an uneasy blend of fact and fiction and which purported to show viewers how events had "really" happened. At newspapers and magazines, celebrity was replacing news, newsroom budgets were being slashed, and... Tovább

Fülszöveg

In July 1997, rwenty-five of America's most influential journalists sat down to try and discover
what had happened to their profession in the years between Watergate and Whitewater. What they knew was that the public no longer trusted the press as it once had. They were keenly aware of the pressures that advertisers and new technologies were putting on newsrooms around the country. But, more than anything, they were aware that readers, listeners, and viewers—the people who use the news—were turning away from it in droves.
There were many reasons for the public's growing lack of trust. On television, there were the ads that looked like news shows and programs that presented gossip and press releases as if they were news. There were the "docudramas," television movies that were an uneasy blend of fact and fiction and which purported to show viewers how events had "really" happened. At newspapers and magazines, celebrity was replacing news, newsroom budgets were being slashed, and editors were pushing journalists for more "edge" and "attitude" in place of reporting. And, on the radio, powerful talk personalities led their listeners from sensation to sensation, from fact to fantasy, while deriding traditional journalism. Fact was blending with fiction, news with entertainment, journalism with rumor.
Calling themselves the Committee of Concerned Journalists, the twenty-five determined to find how the news had found itself in this state. Drawn from the committee's years of intensive research, dozens of surveys of readers, listeners, viewers, editors, and journalists, and more than one hundred intensive interviews with journalists and editors, The Elements of Journalism is the first book ever to spell out—both for those who create and those who consume the news— the principles and responsibilities of journalism. Written by Bill Kovach and Tom Rosenstiel, two of the nation's preeminent press critics, this is one of the most provocative books about the role of information in society in more than a generation and one of the ( continued on back flap)
(continued from front flap)
most important ever written about news. By offering in turn each of the principles that should govern reporting, Kovach and Rosenstiel show how some of the most common conceptions about the press, such as neutrality, fairness, and balance, are actually modern misconceptions. They also spell out how the news should be gathered, written, and reported even as they demonstrate why the First Amendment is on the brink of becoming a commercial right rather than something any American citizen can enjoy.
The Elements of Journalism is already igniting a national dialogue on issues vital to us all. This book will be the starting point for discussions by journalists and members of the public about the nature of journalism and the access that we all enjoy to information for years to come.
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Bill Kovach is currently chairman of the Committee of Concerned Journalists. ToM rosenstiel is currently director of the Project for Excellence in Journalism. Kovach and Rosenstiel are the authors of Warp Speed: America in the Age of Mixed Media.
Author photographs: joe wrinn (left) and peter curtís (right) Crown Publishers
THE ELEMENTS OE JOURNALISM
Jr ournalism is going through a crisis of conscience, confidence, and purpose. Here, Bill I Kovach, chairman of the Committee of Concerned Journahsts, and Tom Rosenstiel, I director of the Project for Excellence in Journalism, identify the enduring principles that define journalism as a profession and a calling. These principles are of vital importance to every citizen, and The Elements of Journalism is already igniting a national dialogue about what every journalist should know and what every citizen should expect from the media.
"At a time when technological and financial forces are creating formidable challenges to journalism's traditional values, Kovach and Rosenstiel have written an immensely valuable primer on who we are, what we do, and how we should do it." —David Halberstam
" The Elements of Journalism is a remarkable book that does a superb job of describing the problems, articulating the values, outlining the risks, and offering understandable and practical ways to respond to the difficulties of the present state of journalism. The Elements of Journalism ought to become required reading for every institution (and individual) engaged in journalism." —NeIL RUDENSTINE, PRESIDENT, HARVARD UNIVERSITY
"Of the many books that have been written about reporting the news, this one best captures the shortcomings, subtleties, and possibilities of modern journalism. It de.serves to bcconie as indispensable to journalists and journalism students as The Elements of Style."
—Tom Goi.dstein, Dean, granuape School of Journalism, Columbia University
"In an age when partisan rancor and ratings-driven showmanship have crowded out the mc^re subtle virtues of solid journalism, Tom Rosenstiel and Bill Kovach provide a timely refresher course in the importance of press fundamentals. They remind us that at its best, journalism is a high public calling, and all those who practice it have a deeper obligation to their readers and viewers than to the demands of the market."
—David Talbot, editor-in-chiel, Salon.com
language—journalism ISBN 0-609-60783-9 Vissza