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The Life of Rembrandt

Rembrandt élete

Szerző
Róla szól
Grafikus

Kiadó: Hamlyn
Kiadás helye: London
Kiadás éve:
Kötés típusa: Fűzött keménykötés
Oldalszám: 144 oldal
Sorozatcím:
Kötetszám:
Nyelv: Angol  
Méret: 30 cm x 22 cm
ISBN: 0-600-37598-6
Megjegyzés: Színes és fekete-fehér reprodukciókkal.
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Fülszöveg

This is not an art book: it is a book about a man. Rembrandt Harmenszoon van Rijn was one of the greatest artists there has ever been - somé say the greatest. Towering above other painters of the Dutch School, this uncompromising genius took what he needed from Baroque and Classical art and created an entirely personal style. Constantly innovating and improviug - in drawing and etching, as well as painting - he relentlessly pressed his art to its limits to express his beliefs and concerns. Rembrandt s concern was humanity. Unlike Leonardo and Michelangelo he did not live in the heroic world of his own imagination, but in the mire with the rest of us. His art is, in the broadest sense, a record of humán experience: the selfportraits are a pitiless catalogue of what life can do to a humán being. Tragedy, happiness, apathy - all are recorded with the same absolute truth. The author telis Rembrandt's störy through his art, relating it to the documentary evidence which has s.urvived, and... Tovább

Fülszöveg

This is not an art book: it is a book about a man. Rembrandt Harmenszoon van Rijn was one of the greatest artists there has ever been - somé say the greatest. Towering above other painters of the Dutch School, this uncompromising genius took what he needed from Baroque and Classical art and created an entirely personal style. Constantly innovating and improviug - in drawing and etching, as well as painting - he relentlessly pressed his art to its limits to express his beliefs and concerns. Rembrandt s concern was humanity. Unlike Leonardo and Michelangelo he did not live in the heroic world of his own imagination, but in the mire with the rest of us. His art is, in the broadest sense, a record of humán experience: the selfportraits are a pitiless catalogue of what life can do to a humán being. Tragedy, happiness, apathy - all are recorded with the same absolute truth. The author telis Rembrandt's störy through his art, relating it to the documentary evidence which has s.urvived, and piacing it in the context of his time - the Holland of Calvinism and expa capitalism. nding Vissza

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Charles Fowkes

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