Fülszöveg
THE SUPPRESSION OF WOMEN'S RITES
In the beginning God was a woman.
Here, archeologically documented, is the story of the religion of the Goddess. Known by many names—Astarte, Isis, Ishtar, among others—she reigned supreme in the Near and Middle East. Beyond being worshipped for fertility, she was revered as the wise creator and the one source of universal order. Under her, women's roles differed markedly from those in patriarchal Judeo-Christian cultures. Women bought and sold property, traded in the marketplace, and the inheritance of title and property was passed from mother to daughter.
How did the change come about? By documenting the wholesale rewriting of myth and religious dogmas. Merlin Stone details a most ancient conspiracy: the patriarchal re-imaging of the Goddess as a wanton, depraved figure. This is the portrait that laid the foundation for one of culture's greatest shams—the legend of Adam and fallen Eve.
"The dramatic climax of her book is intriguing and...
Tovább
Fülszöveg
THE SUPPRESSION OF WOMEN'S RITES
In the beginning God was a woman.
Here, archeologically documented, is the story of the religion of the Goddess. Known by many names—Astarte, Isis, Ishtar, among others—she reigned supreme in the Near and Middle East. Beyond being worshipped for fertility, she was revered as the wise creator and the one source of universal order. Under her, women's roles differed markedly from those in patriarchal Judeo-Christian cultures. Women bought and sold property, traded in the marketplace, and the inheritance of title and property was passed from mother to daughter.
How did the change come about? By documenting the wholesale rewriting of myth and religious dogmas. Merlin Stone details a most ancient conspiracy: the patriarchal re-imaging of the Goddess as a wanton, depraved figure. This is the portrait that laid the foundation for one of culture's greatest shams—the legend of Adam and fallen Eve.
"The dramatic climax of her book is intriguing and important: that the myth of Adam and Eve was designed as part of the continuous Levite battle to suppress a female religion." —Martha Lifson, Los Angeles Times
"Here is a powerful book that could well become required reading for the women's movement a thoroughly fascinating study " —Books West
"When God Was a Woman collects and evaluates the evidence supporting this theme in a way that is clear, conscientious, educative and prophetic."
—John Biram, associate of Robert Graves
Merlin Stone has taught art and art history at the university level and from 1958 to 1967 worked as a sculptor, exhibiting widely and executing numerous sculpture commissions. She became interested in archeology and ancient religion through her art and researched this book for more than ten years. She currently divides her time between the United States and England.
Vissza