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A sorozatban szereplő kötetek:
Lucio Fontana 1899-1968 - "A New Fact in Sculpture" 95 p., ill.
Francisco de Goya 1746-1828 - On the Threshold of Modernity 95 p., ill.
Keith Haring 1958-1990 - A life for art 95 p., ill.
Hiroshige 1797-1858 - Master of Japanese Ukiyo-e Woodblock Prints 95 p., ill.
Hokusai 1760-1849 95 p., ill.
Hans Holbein the Younger 1497/98-1543 96 p., ill.
Edward Hopper 1882-1967 - Transformation of the Real 95 p., ill.
Hundertwasser 1928-2000 - The Power of Art - The Painter-King with the Fives Skins 95 p., ill.
Ernst Ludwig Kirchner 1880-1938 - On the Edge of Abyss of Time 96 p., ill.
Paul Klee 1879-1940 - Poet of Colours, Master of Lines 95 p., ill.
Fülszöveg
Lucio Fontana 1899-1968 - "A New Fact in Sculpture"
Tearing Things Up
The radical gestures of Lucio Fontana
Lucio Fontana (1899-1968) wan an Italian sculptor,...
Tovább
Fülszöveg
Lucio Fontana 1899-1968 - "A New Fact in Sculpture"
Tearing Things Up
The radical gestures of Lucio Fontana
Lucio Fontana (1899-1968) wan an Italian sculptor, painter, and ceramicist, regarded as the father of Spatialism, a mid-century modern movement that linked artistic experimentation with scientific principles and theories.
Debuting in Milan, Fontana settled in Paris in the mid-1930s, where he joined the Abstraction-Création group and created expressionist sculptures in ceramic and bronze. He later moved to Argentina, where he developed his highly influential Thecnical Manifesto ofSpatialism, a modernist marvel, characteristic of postwar innovation and fueled by a forward-looking synthesis of art, techology, and science. With Spatialism, the artist sought to project color and form into spaces, most famously in his minimally ripped or slashed canvases, such as his extensive Concetto Spaziale, Attese (Spatial Concept, Expectations) series.
This dependable artist introduction follows Fontana on his personal and artistic journey to explore the evolution of his pioneering ideas as well as their remarkable legacy on conceptual and performance art.
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