Marks, Andreas: Japanese Woodblock Prints (védődobozos példány)
1680-1938
Taschen GmbH
(Köln)
,
Félvászon , 621 oldal
Félvászon , 621 oldal
| Sorozatcím: | |
|---|---|
| Kötetszám: | |
| Nyelv: | Angol Német Francia |
| Méret: | 40 cm x 30 cm |
| ISBN: | 978-3-8365-6336-9 |
| Aukció vége: |
2025-06-22 20:00
|
Aukciós jelenlegi tétel részletes leirata
Szép állapotú, olvasatlan példány.
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Előszó
Japanese Woodblock Prints in 200 Masterpieces From Ukiyo-e to Shin Hanga The Birth of Woodblock Prints In 1603, the priestess Okuni from Gran Shrine of Izumo (Izumo Taisha), one of the oldest... TovábbElőszó
Japanese Woodblock Prints in 200 Masterpieces From Ukiyo-e to Shin Hanga The Birth of Woodblock Prints In 1603, the priestess Okuni from Gran Shrine of Izumo (Izumo Taisha), one of the oldest and most important Shinto shrines in Japan which is located in today's Shimane Prefecture, is said to have travelled 350 kilometres (218 miles) to Kyoto to dance with her all-female troupe. Teahouse Entertainments strained performance compared with the established, courtly Noh drama and is considered the birth of a new form of theatre, kabuki. Word spread quickly through Japan's cultural capital about this somewhat louche but enticing new way of dancing, and Okuni's dance in particular became a subject for paintings for the affluent aristocracy (pp. 10/11). Against the backdrop of the new peace reached after decades of warfare between the feudal lords, kabuki developed in the years that followed into a popular form of entertainment for the townspeople (chönin) in other cities as well. This was especially true of Edo (today's Tokyo), which had been chosen by the shogun Tokugawa Ieyasu (1543-1616) as his headquarters in 1590 and from that point on increased steadily in size, surprassing one million inhabitants by the late 18th century. Entrepreneurial merchants and craftsmen were able to profit from the growing needs of the urban population and as more forms of entertainment flourished, such as prostitution, the ruling government attempted to control them through the establishment of licensed districts, for example, the Yoshiwara district in Edo in 1617. Consequently, portraits of idealised, beautiful women in chic attire became a popular subject for paintings in the second half of the 17th century (p. 49). VisszaTartalom
Japanese Woodblock Prints in 200 Masterpieces From Ukiyo-e to Shin Hanga 8Der japanische Holzschnitt in 200 Meisterwerken Von ukiyo-e shin hanga 22
Les estampes japonaises en 200 chefs-d'oeuvre Des ukiyo-e aux shin hanga 38
1680-1761 The Early Masters/Die frühen Meister/Les premiers maitres 58
1765- 1783 The beginning of Full-Colour Printing/Die Anfänge des Vielfarbendrucks/Les débuts de l'impression polychrome 114
1784-1798 The Golden Age/Das Goldene Zeitalter/L'age d'or 178
1800-1829 The Response to Censorship/Die Auseinandersetzung mit der Zensur/Face á la censure 262
1830-1852 Peak Production/Der Höhepunkt der Produktion/L'apogée de la production 342
1857-1904 The Last Phase of Traditional Prints/Die letzte Phase des traditionellen Holzschnitts/La derniére période de l'estampe traditionelle 450
1916-1938 Shin Hanga 564
Appendix - Editorial Notes, List of Artists and Works, Bibliography 608 Vissza
Tétel sorszám:
293
Kikiáltási ár:
1 Ft
(Minimum licitlépcső: 1000 Ft)
Hátralévő idő:
Leütési ár:
Ft
| Amennyiben az utolsó 5 percben licit érkezik, a lejárati időpont további 5 perccel módosul. |
Leütési ár:
55.000 Ft
Licitek száma: 24
Ft
| Minden aukción megnyert tétel után 15% árverési jutalékot számolunk fel, amely jutalékot a megnyert árverést követően a vételár alapján azon felül kell megfizetni! |